Start with what visitors should notice
The Yakima Valley Museum wanted visitors to see the shape of the landscape around Mount St. Helens in detail. We began with elevation data and cut the terrain on a CNC machine, then used satellite imagery for a laser-etched grayscale finish that keeps attention on the landforms. When the museum later wanted a companion model of Mount Rainier, we used the same approach, so the two read as a pair.
Let the subject choose the method
No single method suits every exhibit. For the Ontario Science Centre’s ice-core exhibit, our part was the core itself. We tested different mixtures of resin and lit the piece from below so its layers show through the material. For Petit Jean State Park, we combined elevation data with the park’s maps, landmarks and boundaries, increased the vertical relief by 1.5 times, and painted the terrain and waterways. For the St. Charles Heritage Museum, elevation data and historic imagery put the Missouri River where it once ran.
Settle the gallery details early
An exhibit plan helps us understand how the model fits into the visitor experience. We’ll talk about viewing height, lighting, labels and how close people can get. If a piece will be handled or moved, or needs a protective case, those details belong in the plan from the beginning. When a model is one part of a larger exhibit, we’re glad to coordinate with the rest of the team.
Think about the years ahead
A model in a public gallery gets looked at a great deal. Handling, travel and display can take a toll, so it helps to plan for a protective cover and for upkeep. We also repair and refurbish models, including work on site. We ship models worldwide and can help plan packing, delivery and on-site installation.
For an example, see our Mount St. Helens Terrain project. We also have museum & exhibit models in the portfolio.